"Uh-huh." Jack gets his fingers into some of the door's moulding and pulls. Then tugs. Then strains. Then, at last, shifts the door enough to get his fingers in the gap and pull some more.
And this is why it's useful to take a guy around with you who's built like a brick shithouse.
Jack's concentrating on getting it open, so he doesn't look inside right away, but as the door opens Sinclair will be able to see a more recently-spoiled room than he might be used to. There's no rotting corpses and the lights are all on, but the trash cans are overturned, and there are holes torn in the couches. It looks like it was some kind of waiting area, lushly-appointed, with paintings on the walls and coffee tables on the floor. To their left, it rises into a broad staircase leading out of sight.
The helpful green Office of Andrew Ryan signs have a presence here as well. They're on the right track.
no subject
"Uh-huh." Jack gets his fingers into some of the door's moulding and pulls. Then tugs. Then strains. Then, at last, shifts the door enough to get his fingers in the gap and pull some more.
And this is why it's useful to take a guy around with you who's built like a brick shithouse.
Jack's concentrating on getting it open, so he doesn't look inside right away, but as the door opens Sinclair will be able to see a more recently-spoiled room than he might be used to. There's no rotting corpses and the lights are all on, but the trash cans are overturned, and there are holes torn in the couches. It looks like it was some kind of waiting area, lushly-appointed, with paintings on the walls and coffee tables on the floor. To their left, it rises into a broad staircase leading out of sight.
The helpful green Office of Andrew Ryan signs have a presence here as well. They're on the right track.