weathertop | darling it's better down where it's wetter

darling it's better down where it's wetter

It's been a day, it's been a day, it's been a whole damn day -- as near as it's possible to tell in this soggy excuse for a city. It's been a day since he killed Fontaine. And Jack is no closer to getting out. He's still down here. He did everything he was supposed to do and he's still down here.

All he's found is locked-down bathyspheres. Broken submarines. Even the goddamn boats are out of service. Where's Tenenbaum? Where's his fucking rescue?

Jack stares about into the greenish gloom, checks the ammo in his pistol, and then kicks and yanks off the rusting panel of a vending machine. His hands are soon full of little wires and pipes. A few seconds later, he straightens up with a grunt, and the machine gives him a tidy discount on a couple glowing hypos of EVE.

With his visit extended indefinitely, he's begun to wonder how many of them are left.

Now arbitrarily divided into chapters!
Part One: A Scene at the Rapture Adoption Agency ~or~ You Found [Pot of Ham]!
Part Two: Come On-A My House, I'm Gonna Give-A You Candy ~or~ Sinclair? More Like Sin Pantalones!
Part Three: Dream Sequences are a Fresh New Concept in Fiction ~or~ It's My Existential Trauma and I'll Cry if I Want To
Part Four: Southern Education Jokes ~or~ Engineer, Engifar, Engiwherever You Are ~or~ The Grave Escape
Part Five: Golfing Accident Memoirs ~or~ Mom... Dad... I'm Immortal ~or~ How To Make Friends And Immolate People
Part Six: Is It A Pie? Is It A Plane?? ~or~ Two's Company, Three's a Row
Part Seven: Escort Missions! In Rapture! Council's In An Uproar ~or~ Bioshock: Cheesecake Edition
Part Eight: Bread, Milk, BATTLE! ~or~ Pleasant Conversations, How They Bore Me
Part Nine: Choices, Schmoices ~or~ Baby's First Moral Philosophy ~or~ Go Away I Want To Take A Damn Bath
Part Ten: A Man Snoozes; A Slave Delays ~or~ The Four Second Rule Applies To Drugs
Part Eleven: A Hearty Meal ~or~ Skeletons In The-- That's Not A Closet
Part Twelve: We All Live in a Secret Submarine ~or~ Plasmids: Not Even Once
Part Thirteen: Paging Dr Tenenbaum To Surgery ~or~ Bribery And Deduction
Part Fourteen: The Prodigal Son Returns

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He fishes the wrench out of his belt anyway. It's been his longest-lasting friend in this place.

"Maybe they saw me come through here last time."

Jack doesn't mean that to sound mildly terrifying, but nevertheless Sinclair is welcome to ruminate on the many implications of that hypothesis.

Well then. Looks like Jack has a reputation of his own.

Sinclair's grin broadens a little. Somehow it's satisfying to know that Jack has made a name for himself among the splicers. It makes him feel a little safer, and also oddly proud. Jack may not be among Rapture's best or brightest, but he's no coward.

"That might do it," he laughs.

Jack returns to retrieve the chemical thrower -- still smiling, because he feels a mite better than he did before that little display. There's nothing like getting one over on a few splicers to improve one's mood. And it seems to have pleased Sinclair as well!

"They're not very smart," says he to Sinclair, with the air of one imparting an hilarious secret.

"No, I don't suppose they are," he says, still pretty amused at the whole thing.

There's only one door out of this room, Sinclair spies it along a short hall, and he begins making his way toward it. A security camera turns to give him a once-over, pausing for a moment before looking away again. Hacked. At least that's one less thing to worry about.

Jack is a hacking machine. Anything he hasn't hacked he's destroyed -- so really the only machines they're in danger from are ones that have been re-hacked by someone else, or that he hasn't met yet.

He actually hangs back for a second when he sees the door Sinclair's headed to. They're getting close to the office now. Really close. "Mister Sinclair?"

Uh oh.

"Hm?"

He hesitates, not really sure what he was planning to say.

"Uh..."

Shakes his head minutely, shifts the thrower on his shoulder and starts to head after Sinclair.

"The -- the room through there. It might... smell."

There. Perfectly legit. He's just being helpful. No sturm or drang here, no sir.

That's...the opposite of reassuring.

And usually, being the gracious man he is, Sinclair would drop it. The way these things work, he usually ends up finding out one way or another. If he doesn't, it probably wasn't important. But in this particular case, if there's something he needs to know, he needs to know it. And not later. When you're working out a plan of this size completely via improvisation, you can't afford to have variables unaccounted for.

He stops, turns to Jack.

"You don't have to lie to me, son. What's on your mind?"

"I just don't like it here," says Jack, which is completely true if not the complete truth.

He spent so much time and effort here trying to get into Ryan's office, thinking everything was okay and he could go back home once he'd beaten the bad guy, that Atlas had any intention of helping him get home, that he had a home to go to. And for what? To find out he was a - a - a hand-puppet. A half-baked science experiment. Made by Atlas, who didn't even exist. And to get ~talked into~ killing apparently his dad while he had to watch and couldn't do anything--

God, even if the uh ould-way ou-yay indly-kay room wasn't here, it'd still be a place full of horrors. It's hitting him all at once and he's not even in the trophy room yet.

Jack scowls darkly at the floor to cover his upset.

No, he wouldn't really like it here, would he.

"Well. We'll be in and out of here as quick as possible, okay sport?"

But there's more, and Sinclair knows it. He just doesn't know what. He starts towards the door, but stops again.

"You're sure that's it?"

"Uh-huh. Let's go look for the submarine."

Regardless of Sinclair's doorward incline or lack therof, Jack strides towards and through it, stomping his feet a little. He's still frowning at the floor.

Sinclair watches him for a few more skeptical moments before sighing and following behind him.

"If it'll make you feel any better," he offers, "I can scope out Ryan's office. You can watch the door."

"No."

He goes back to scanning the room for splicers. Hahahahahahahahahahahahahaha NOPE nobody's going in there unsupervised, Sinclair. Don't even try it.

They're standing in a high-ceilinged, stunted hallway. Ahead is the once-locked door with its sputtering circuit breaker. Catwalks climb the walls, and in front of the catwalks are pillars, most with long metal spikes driven into them.

The spikes are occupied.

Hey, Sinclair's just trying to do you a favor alright? Rooms that hold memories that upsetting can be hard to just waltz right back into. He figured he'd at least offer to spare him.

But if he was going to object, the words vanish as soon as they step into the room.

Sure, there were rumors. Andrew Ryan disappears a couple people and nails them to a wall so he can remember them better. But up until now, Sinclair would have boiled it down to scare tactics. Up until now, he would have said that's what Ryan wants you to think.

But now...

Jesus.

He's sure he might have known one or two of these people, if he could even recognize them anymore. Some of them still have identifiable, if slightly decaying faces, but others are scorched beyond recognition. Burned alive?

As time went on, Ryan trusted fewer and fewer people. The number of friends he had was small to begin with, but as his city outgrew him, maybe he thought he'd outgrown his friends. Seems like he missed the fact that he and his city were growing in opposite directions.

"Always did have an eye for interior decorating," Sinclair says, but his disgust overrides the dry humor in his tone. This shit is junked up.

"He said he was gonna put me on the wall too."

Jack isn't looking at the bodies. He's seen them before, stolen creme cakes and a couple dollars off them, the usual. Jack is looking at one of the blank pillars, between a withered woman in a torn dress and another who may as well be headless for how well her corpse is holding together.

The headache's come back, and with it a tone that isn't joking when he says:

"Maybe I should've put him up there."

"Well it's not too late," Sinclair says, and this time the humor does come through. That's a sight he wouldn't mind much himself, and there's a sweet, sweet irony to it.

But he probably shouldn't encourage that, so he enacts a quick subject change.

"Which door?"

A sweet 9-irony?

Jack looks reluctantly at Ryan's office door, then points to an archway signposted Hephaestus Core.

"That's the way to the bottom."

Almost went for that joke. Almost.

"Alright chief, following you."

And he's definitely glad to be getting out of this room, although the image of Ryan on that empty post makes it somewhat more tolerable. Still, death makes him a little uncomfortable, especially knowing the corpses in question most likely still had their sanity intact.

It stopped bothering Jack so much after maybe the hundredth sprawling corpse. Everything dies here, all the time.

Through the archway is a long, red-lit and flooded room, the smell of putrid Big Daddy mixing pleasantly with the smell of putrifying Big Daddy. There's the corpse of one about halfway down, under a leak. It's been there for a long-ass time, but that hasn't stopped the three splicers who are making a game attempt to loot it.

Jack blocks the archway with his arm, so that Sinclair won't go in the water, and throws Electrobolt. Submerged up to their knees, the splicers only have a chance to scream and collapse. If they aren't dead when their heads go under the water, then they are soon after. This all happens without any particular emotional reaction from Jack besides impatience.

Don't worry, Sinclair had no intentions of sharing the water with splicers. But he appreciates Jack's effort to keep him safe all the same.

Watching the scene before him, he fondly recalls that time he completely intentionally shot a vending machine to electrocute a splicer standing in a puddle before him. He's not gonna boast or anything but that was pretty clever. Much more creative than just shooting him point blank. Where's the fun in that?

They wait for the jumping sparks to settle down before they continue, but oh man. Sinclair's come across sacks of horse manure that smell better than this Big Daddy. There aren't many places in Rapture anymore that don't smell like death, but come on.

He holds his breath, rushing a little to exit on the other side of the room, possibly making it out before Jack does if Jack is not in a hurry as well.

Somewhere Tenenbaum starts laughing behind her hand and doesn't even know why.

Jack strides steadily through the water the same way he strides steadily across ground and through trees and, hell, probably the way he'd stride through raw sewage if he had to. Through the door is a landing that looks onto a lot of mysterious bubbling tubes; Jack takes a left and continues leading the way down. The walls here are built around jutting rock, or even hewn straight out of it, as if the earth itself is fighting the sea for mastery of Rapture.

This feels safer. This is more neutral ground, moving away from Central Control.

Maybe it feels safer to Jack, but it makes Sinclair just a tad nervous to not be able to hear anything at all over all the machinery in here. It's not so loud that he couldn't hear Jack speaking right next to him, but as far as splicers in the distance go...

On the other hand, this is a place he remembers. It's hard to forget a sight like this, something like witnessing your own open heart surgery. All the tubes and pulses you don't really understand, you just know that this is what keeps you going. He came down here before Persephone started undergoing construction, a couple mechanics showed him around at his request. He needed to know how much he would be relying on the rest of Rapture for his own needs. Obviously the less, the better.

Jack has a hand to his temple, pushing down like he's trying to snuff out his own thoughts. The ones that bounce around in your skull, kicking and screaming until you figure out how to silence them or you take too long and they get bored. The latter is considerably less pleasant.

And really, ignoring what's going on here any longer is not going to solve anything. Quite possibly, it can only make things worse. And Jack strikes him as the type who might be too proud to just say something.

"You ought to stop and find yourself a sea slug, son. You're lookin' a little pale."

"I'd rather find a way out," he says dully. Between the things in his head and the splicers no doubt in the area, Jack doesn't have a lot of attention left for conversation.

And he doesn't need ADAM to keep going, you know, give him a little credit. Sure it helps, and at certain points it's been all he had to look forward to other than gory revenge, but that doesn't make him a splicer, just a ~~child~~ ~~kid~~ ~~boy~~ man dealing with a lot of shit. He's pretty sure his face was completely normal last time he looked in a mirror, thanks so very kindly.

...He's not sure when his internal monologues got this spiteful.

He's just in a bad mood from getting so close to Ryan's office, from the prospect of having to go inside it again. That's it.

...Right. You've spliced how often exactly in the five or six days you've been here? It doesn't exactly take an expert to say that that's enough to form a dependency. But honestly, Jack. Sinclair would rather have you spliced and happy than suffering withdrawal and inevitably turning crazed and violent.

If that happens...

which it won't, but if it does.

...Sinclair decides not to follow that train of thought. Right now they need to find a way out before he starts deciding the details of what happens when they leave.

"Alright, alright, fair enough," he cedes, "but if you want to make a pit stop just say the word. Won't bother me one bit."

"Okay," says Jack testily.

Speaking of sea slugs, they're coming up to one of his previous kills. The girl's nowhere to be seen but there's a huge dead pile of metal and leather -- and ruined flesh too, where some entrepreneurial splicer has scavenged pieces of its diving suit. At least it doesn't smell as bad as the one back in the flooded room, though at a certain level of stench these distinctions do become a bit pointless.

Two of the fresher corpses lying near it suddenly laugh and spring to their feet. Jack jumps, and then -- well, the chemical thrower's right there in his hands, so he lets fly with the napalm, leaving them screaming.

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