Jack Ryan (
did_unkindly) wrote in
weathertop2013-02-23 02:59 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
darling it's better down where it's wetter
It's been a day, it's been a day, it's been a whole damn day -- as near as it's possible to tell in this soggy excuse for a city. It's been a day since he killed Fontaine. And Jack is no closer to getting out. He's still down here. He did everything he was supposed to do and he's still down here.
All he's found is locked-down bathyspheres. Broken submarines. Even the goddamn boats are out of service. Where's Tenenbaum? Where's his fucking rescue?
Jack stares about into the greenish gloom, checks the ammo in his pistol, and then kicks and yanks off the rusting panel of a vending machine. His hands are soon full of little wires and pipes. A few seconds later, he straightens up with a grunt, and the machine gives him a tidy discount on a couple glowing hypos of EVE.
With his visit extended indefinitely, he's begun to wonder how many of them are left.
Now arbitrarily divided into chapters!
Part One: A Scene at the Rapture Adoption Agency ~or~ You Found [Pot of Ham]!
Part Two: Come On-A My House, I'm Gonna Give-A You Candy ~or~ Sinclair? More Like Sin Pantalones!
Part Three: Dream Sequences are a Fresh New Concept in Fiction ~or~ It's My Existential Trauma and I'll Cry if I Want To
Part Four: Southern Education Jokes ~or~ Engineer, Engifar, Engiwherever You Are ~or~ The Grave Escape
Part Five: Golfing Accident Memoirs ~or~ Mom... Dad... I'm Immortal ~or~ How To Make Friends And Immolate People
Part Six: Is It A Pie? Is It A Plane?? ~or~ Two's Company, Three's a Row
Part Seven: Escort Missions! In Rapture! Council's In An Uproar ~or~ Bioshock: Cheesecake Edition
Part Eight: Bread, Milk, BATTLE! ~or~ Pleasant Conversations, How They Bore Me
Part Nine: Choices, Schmoices ~or~ Baby's First Moral Philosophy ~or~ Go Away I Want To Take A Damn Bath
Part Ten: A Man Snoozes; A Slave Delays ~or~ The Four Second Rule Applies To Drugs
Part Eleven: A Hearty Meal ~or~ Skeletons In The-- That's Not A Closet
Part Twelve: We All Live in a Secret Submarine ~or~ Plasmids: Not Even Once
Part Thirteen: Paging Dr Tenenbaum To Surgery ~or~ Bribery And Deduction
Part Fourteen: The Prodigal Son Returns
All he's found is locked-down bathyspheres. Broken submarines. Even the goddamn boats are out of service. Where's Tenenbaum? Where's his fucking rescue?
Jack stares about into the greenish gloom, checks the ammo in his pistol, and then kicks and yanks off the rusting panel of a vending machine. His hands are soon full of little wires and pipes. A few seconds later, he straightens up with a grunt, and the machine gives him a tidy discount on a couple glowing hypos of EVE.
With his visit extended indefinitely, he's begun to wonder how many of them are left.
Now arbitrarily divided into chapters!
Part One: A Scene at the Rapture Adoption Agency ~or~ You Found [Pot of Ham]!
Part Two: Come On-A My House, I'm Gonna Give-A You Candy ~or~ Sinclair? More Like Sin Pantalones!
Part Three: Dream Sequences are a Fresh New Concept in Fiction ~or~ It's My Existential Trauma and I'll Cry if I Want To
Part Four: Southern Education Jokes ~or~ Engineer, Engifar, Engiwherever You Are ~or~ The Grave Escape
Part Five: Golfing Accident Memoirs ~or~ Mom... Dad... I'm Immortal ~or~ How To Make Friends And Immolate People
Part Six: Is It A Pie? Is It A Plane?? ~or~ Two's Company, Three's a Row
Part Seven: Escort Missions! In Rapture! Council's In An Uproar ~or~ Bioshock: Cheesecake Edition
Part Eight: Bread, Milk, BATTLE! ~or~ Pleasant Conversations, How They Bore Me
Part Nine: Choices, Schmoices ~or~ Baby's First Moral Philosophy ~or~ Go Away I Want To Take A Damn Bath
Part Ten: A Man Snoozes; A Slave Delays ~or~ The Four Second Rule Applies To Drugs
Part Eleven: A Hearty Meal ~or~ Skeletons In The-- That's Not A Closet
Part Twelve: We All Live in a Secret Submarine ~or~ Plasmids: Not Even Once
Part Thirteen: Paging Dr Tenenbaum To Surgery ~or~ Bribery And Deduction
Part Fourteen: The Prodigal Son Returns
no subject
"Did you bring anything to eat?"
The box of goodies is loooong since picked clean, and they won't be served in-flight snacks by friendly attendants, so uh...
no subject
"Anyone ever tell you you eat like a horse?" he says, laughing. "Alright, I'll bring back some more of that. How's that thing on gas? Fill it up?"
no subject
Oh, and he also answers the question that isn't rhetorical.
"I put gas in it. But I used it. I'll fill it up now."
He springs up and makes a beeline for the handy filling station behind the dock.
no subject
Rapture is toxic. Staying here is a slower and more painful death than anything an atom bomb could do. This is a chance to start over. Sinclair's had his run, playing the game, turning a profit. He's beyond ready to cash it in and live out the rest of his days in luxury. Real luxury, not Ryan's artificial paradise. That's what all the work was for, anyway. This is it. It feels like Christmas.
"I'm telling you, kid," he says upon his return, setting the box down outside of the bathysphere. "This is the best thing that could've happened for either of us. A clean slate, starting fresh. You're gonna be able to do whatever you want."
no subject
A smile grows on Jack's face. He likes that idea. Deciding what he likes to do, not taking orders from endless voices on the radio who may or may not turn out to be a dead guy. It's the final looked-for slap in Fontaine's face, he realises. He, Jack, was supposed to do whatever he was told. Well, now he's going somewhere where that won't ever happen again.
Yes, he likes the idea of that a lot.
no subject
no subject
Of course, of course, this is the moment at which singing becomes audible outside the bathy station.
Jack's hand goes automatically to his revolver, and he half-rises again.
no subject
"Goddammit, Weir," Sinclair says under his breath. "Hope you were right about this thing being ready to go, kid." He shoves the box through the threshold onto the floor and drops his bag on the seat before reaching for his own gun.
no subject
The bathysphere rocks for a moment and then starts to descend. Hang on, Sinclair. It's a bumpier ride than usual. While Jack hauls at the joysticks, he keeps one eye glued on the station entrance -- and the splicers who've begun to appear there.
They're shouting abuse, some of them running towards the sphere. Their voices are muffled and echoing but it's still possible to make out the words.
"Where are you going?!" "Think you can escape, monster?" "Hold the door for your elders and betters." "The spheres? In service again? At last! We can take the children to Arcadia!" "DON'T LEAVE WITHOUT ME!"
They make it beneath the water. A few seconds later, there's a splash and a crash and the bathy rocks alarmingly. A pair of feet appears at the window, kicking wildly, half-crushed against the wall by the descending sphere. Sound travels well underwater, and they can hear the exact moment when the drowning splicer stops screaming.
Nobody else follows them, after that.
no subject
As for the bathysphere, it's not the smoothest ride, but it gets the job done. It seems like that usually how he does business anyway, so he supposes it's really only fitting.
"Runs beautifully, chief, nice work," he says, grinning at Jack. "Hardest part's over! How do you feel?"
no subject
He and Sinclair make a great team!
Jack's seen probably nastier deaths, and a whole lot of them, so the dying splicer mostly worries him on a level of whether it's going to damage the sphere. But they're home free now, out of the building, sailing through the docking rings and out into the open sea. They're free.
They're free.
"Good," he answers, grinning back, and it's clear from his tone that this is the understatement of the century.
He cranks the joysticks -- it takes some effort and finesse, since the rudders were never meant to work this way, but between his muscles and his tonics Jack has strength to spare -- and keeps them coasting through the water, well clear of the drowned skyscrapers all around them. The buildings drift past serenely, almost in slow motion.
Jack leans forward and peers out of the porthole. He can't see the surface from here, it's too far up. But it's there. It's calling. He'll be seeing it very soon.
no subject
Or maybe it's just Sinclair's own buzzing anticipation that makes everything seem so much promising. Either way, this is the best he's felt about the future since before he came to Rapture.
"I don't reckon it'll take us too long to get up there, the long part will be finding land. If we head west, that'll take us towards the U.S. Unless you're feeling more like we should visit Iceland. You're steering, I suppose it's up to you," he laughs.
no subject
He keeps his eyes on the road, and tries to keep his mind on his ongoing wrestling match with the steering. But his thoughts are already topside.
He pulls at the rudders that will tip them onto an upward course.
Below, near the seabed, something starts to move in their direction. Maybe a squid, maybe a fish.
It begins to pick up speed.
no subject
Whatever this mysterious thing is, Sinclair is wholly oblivious. There's only one porthole in this bathy and he's not really at an angle to catch much besides sea motes.
no subject
Seriously, you don't need military training to recognise a torpedo, it's big and metal and murder-shaped and it's heading straight for the bathysphere.
With a shout of alarm, but without any more warning than that, Jack takes evasive action. He yanks with all his strength at two of the joysticks, spinning the bathy out of the way. In the next heartbeat, the torpedo goes past so close that they can hear the angry pinging of its sonar.
no subject
"What in the hell was that?" he asks, although he has a feeling he already knows. They should have accounted for it, and it had crossed his mind for a brief second in the preparation of all of this but...it's been months since anyone's tried to escape, and sea life grows with a vengeance. All of that should have stopped being functional by now.
no subject
Alarm bells are going off in his head and self-preservation kicks into high gear, and he yanks the controls again as the sonar noise swings back around behind them.
The bathy, not designed for this kind of off-road nonsense, starts to spin. The torpedo misses them again. But good luck guessing which direction it went, or even which direction is up, as the sphere rotates like a fairground ride.
Jack, teeth gritted, fights to get them back on course. But it's not like there are seat belts. He's half tugging on the joysticks, half hanging onto them for dear life.
no subject
This was definitely not part of the plan. Even if it should have been, it wasn't. Sinclair tries to rifle though everything he's learned about Ryan's defense system for some sort of piece of instruction he can offer Jack, but he comes up dry. A missile was fired, the only thing to do is try and avoid it. And that part's already in action.
"Get us straight again, kid!" he shouts, "Straighten us out!"
no subject
He wrenches the controls, slowing their spin, hoping against hope that the whole thing holds up. If a rope snaps or a knot comes undone, if a pipe bursts, if a connection breaks, they're fucked. Simple as that.
They're free-falling like a shot dogfighter. The rocky sea floor spins towards them.
Jack twists the rudders, creates as much drag as possible. The spinning slows. They're falling straight. But they're still falling.
He holds his breath and pulls the controls one more time.
The whole bathysphere shutters and groans. The bulbous nose begins to lift. The sea floor drops to the bottom of the porthole and then disappears. Now they're rushing up past neon signs and windows. They're rising.
They're rising, they're rising, they're rising!
no subject
"You did it, sport! Andy Ryan's got nothing on--"
...wait, do you hear that?
no subject
Jack hears that all too well.
He wishes he could just blow the torpedo out of the water, take the fight to it instead of having to run away, but in a sphere that's not really an option. So he twists the controls again and takes them spiralling out of the way of-------
no subject
no subject
Just kidding, there's no such thing as a quick death in Rapture.
The torpedo clips the outside of the bathysphere, sending it careening off its course, spinning uncontrollably in some indeterminable direction. At least until neon starts flashing past the porthole, though it's hard to catch anything more than streaks of color when it's possible to look out of the porthole at all. Still, from what is visible, Sinclair can tell that they're headed directly for the city.
There's not even time to say anything, or even think about much other than MAYDAY, MAYDAY, INCOMING, before the impact forces Sinclair to the floor.
no subject
And Jack's still wrenching at the controls. Even though he's being flung around and he can't tell right from left, let alone which way they have to go. Even after a rope snaps and lashes him and takes away his steering. Even though everything's movement and pain and confusion and a split second long. He made a choice, god fucking damnit. He made a choice and it's not allowed to fail, that's not how it's supposed to work, they're getting out, they're --
The bathysphere stops, very suddenly.
And now all he's aware of is a numbness and deep pain, the sense that he should move, and no sound except a ringing in his ears.
no subject
They're in the bathysphere, in a room that is quickly filling up with water. The door of the bathysphere is crumpled and leaking and he needs to get out of there. Fast.
But it's not just him. Jack is on the floor of the bathysphere, and there's blood. A lot of blood. Sinclair gets to his knees and shakes him. "C'mon kid, we gotta go," he says, trying to keep his voice even. "We've got about ten seconds before we're fish food, you have to get up." No response. He's still breathing, but there's a dangerously distant look in his eyes. "Kid," Sinclair says again, trying to get an arm under his shoulders to push him up.
"C'mon kid." Jack is dead weight, he doesn't even make a sound. Meanwhile the water is getting up over Sinclair's elbows and time is running out. "Kid," he says. "Jack."
Nothing.
...He has to go. There isn't time for this, he can't save Jack and there's no point in dying with him. He lets Jack sink down into the water and braces himself to kick the door open with his good leg. The water rushes in a little higher and Sinclair pulls himself out into the room where the water is just over waist deep, but he spots a bulkhead on the other side of the room and if he can just...fight this current...
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
am i funny yet
not enough blingee
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...